China Economic Development Essay Example | Topics and Well Written Essays - 1250 words

China Economic Development - Essay Example Chinese leader during this period attempted to transfer the heart of agriculture from traditional farming to household activities (Roche, 2010). These reforms extended to price liberalization, in a more gradual way. It became followed by fiscal decentralization (Roche, 2010). Also as part of the undergoing reforms, business enterprises managed by the state became granted independence. This means that, all the government officials found at the local levels and also managers of a number of plants had more authority (Roche, 2010). This led to the development of a number of privately owned firms within the service producing sector, together with the manufacturing sectors (Roche, 2010). Chinese banking system became diversified, and the country’s stock markets began to rise as the country’s economic reforms took hold (Roche, 2010). China began growing at a rapid pace because of these existing reforms and widely opened the shut doors of its economy to the entire globe for tra de opportunities and direct more foreign investment (Roche, 2010). As a nation, it has undertaken a slow but sure method in implementing all of its economic reforms (Roche, 2010). The country has sold the equity of a number of the country’s state banks to foreign companies and also bond markets. Its role in the international market has also grown over the years (Roche, 2010). China's Global Economy The economy of China witnessed some radical transformations after Deng Xiaoping took charge in 1978 (Roche, 2010). The country has transformed from being a highly centrally planned economy to an open economy from his era (Roche, 2010). The country has now transformed to a leading power house for the world’s economy over the past ten years. In Roche’s... this paper tells that China has also a well developed transport and railway network running throughout the country. The country has developed expressways making the container transportation effective. By late 2006, the country had six provinces with close to 2000 (km) of expressway. Also, the length of the country’s railway system is over 77 000 (km), ranking it third in the globe, next to America and Russia. Nevertheless, Japan has a more advanced and well maintained infrastructure, which undergoes regular and constant upgrading and expansion. According to Roche, the country’s private and public sectors take the responsibility of a number of infrastructural services and operate them efficiently. Japan posses a remarkably extensive and highly modern road network that consists of around 1,152,207 kilometers of highways, and 6,114 kilometers of expressways. The length of the rail network in Japan is 23,670 kilometers. More than half of Japan’s rail network is elect rified. The country is also famous for its high-speed trains. The country also has extensive and modern sea and air transport systems. The country’s communication system is also highly advanced consisting of both the public and private providers. To sum up, this paper says that China posses massive sea ports that have the most influential gateways for its foreign trade. Going by the recent record, China ranks first globally in terms of cargo through put by its weight and also by the high numbers of containers it handles.

The most effective visual images Essay Example for Free

The most effective visual images Essay It was a dull night in November, I had completed my work. I accumulated all the equipment that I would use to breathe life into the lifeless monster on the ground; I was so nervous that I was nearly in pain. By one in the morning, the rain fell gloomily on the windows. My candle was about to go off, when I saw the yellow eye of the monster open. It breathed in deeply and an unexpected motion vibrated his limbs. Could I describe my feelings when I saw this? How could I create such an ugly man? His body had a nice figure and I tried to make him look good, but he came out extremely butters. Oh my days! He was uglier than the devil himself. Through his yellow skin, I could see the muscles and veins. Can you imagine, his hair was pure black and his teeth were white like WOH! The nasty difference was his dull eyes that appeared to be almost the same colour as his yellow face, apart from his proper thin black lips. To get to this point I worked for almost two years, you know. I went without rest and I even made myself sick, blad. I wanted this moment more than a man should want anything, now I had finished my work, the buffness that I had imagined it to be had gone and now I am full of disgust. Man, this thing that I have created was so butters, I would go blind if I looked at it. I quickly went out of the lab and for ages I was walking up and down my bedroom, trying to cool down, you get me. I did fall asleep, but it was proper edgy, full of bare nightmares. By Vivian Amobi Show preview only The above preview is unformatted text This student written piece of work is one of many that can be found in our GCSE Mary Shelley section.

Impacts of the Pornography Industry

Impacts of the Pornography Industry Critically assess the case that the products of the contemporary pornography industry are both a cause of violence and discrimination directed against women and also ‘intrinsically harmful’. It is not the purpose of this essay to defend the contemporary pornography industry which to this day remains a ‘dirty’ and -to a large extent- a male-dominated, exploitative business, but rather to understand the reasons behind this sad reality. Pornography made its first prominent appearance in feminist discourse in the late 70s, when feminist groups such as ‘Women Against Violence in Pornography and the Media’ (WAVPM) embarked upon their anti-pornography campaign in the San Francisco Bay area. The so-called ‘sex wars’ of the 1980s brought about an unprecedented division within the feminist movement. Anti-pornography writers, such as Andrea Dworkin and Catharine MacKinnon -authors of the famous ‘Minneapolis and Indianapolis ordinances’ advocated the censorship of pornographic material, on account of its role as ‘a practice that is central to the subordination of women’. Other feminists put forth a liberal legal argum ent, invoking the First Amendment to the American Constitution, which guarantees freedom of speech. Two decades later, the pornography debate has retained its relevance in feminist discourse. There is still heated disagreement over three interrelated issues: what is the definition of pornography? Does pornography cause violence and discrimination against women? What is the best way to deal with pornography in the policy and legislation arenas? While critically assessing the anti-pornography thesis, I will argue in turn that most sexually explicit graphic material is not the cause but can mirror the misogyny and exploitation that characterizes modern societies; and that far from being ‘intrinsically harmful’ pornography can in fact be employed in the service of feminist ideas. A necessary starting point if we are to understand pornography would be an analytically helpful definition. But this is itself one of the main points of disagreement between feminists. The pro-censorship side has emulated traditional definitions of pornography and equated sexual explicitness with violence and female subordination. Dworkin understands pornography as the platform where sexist ideology thrives by exhibiting male supremacy,   discernible in seven interwoven strains: the power of the self, physical power, the power of terror, the power of naming, the power of owning, the power of money and the power of sex’. Contemporary porn depicts women as the helpless victims of men: bound, tortured, humiliated, battered, urinated upon or ‘merely taken and used’. Evoking the Greek etymology of the word, Dworkin (1990:24) defines pornography as the ‘graphic depiction of whores’, (‘porne’ being the Greek for a cheap prostitute or sex slave ). Thus pornography is conceived as something sexist, violent and exploitative by definition; in other words, as an intrinsically harmful phenomenon. Even at this early stage, pro-censorship analysis seems to rest on shaky methodological grounds. First it involves a clearly circular argument which condemns pornography without trying to understand it, almost like arguing that ‘pornography is bad, because it is bad’. Second, the cross-cultural analysis of Ancient Greece is dubious, if not completely a-historical, since ‘pornography’ is not an ancient but a Victorian neologism, invented in the 19th century, thus reflecting Victorian sensitivities rather than ancient realities. Third, the definition of porn as a field of violence and sexism logically entails a distinction from other, sexually explicit material that is not violent, demeaning and exploitative, but is based on sentiments of mutuality and reciprocity. Defining this emerging category, usually referred to as ‘Erotica’, is a highly subjective endeavor and obviously unhelpful for an academic or a judge. Equating sexual explicitness to vi olence, misogyny and other value-judgments is not only counter productive to the search for a descriptive definition of pornography; it is also untrue, since it is often the case that ‘soft porn’ or even altogether non-sexual material can contain much more disturbing scenes of violence and sexism than pornography itself. Fourth, most of the anti-porn literature has applied its definitions of pornography in a vague and inconsistent manner, jumping from the ‘graphic depiction of whores’ to the more mainstream concept of porn as cheaply produced ‘smut’ for instant consumption; and sometimes to a more inclusive definition containing phenomena as diverse as fashion, TV commercials, sex toys and sex education.     Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Methodological concerns aside, anti-porn definitions of pornography entail positions that appear to contradict the very essence of feminism. Anti-porn pronouncements on ‘good, sensitive Erotica’ vis-à  -vis ‘bad, abusive porn’ are essentially pronouncements about ‘good’ and ‘bad’ sexuality. At the risk of caricature, this entails restrictions on sexuality of Orwellian dimensions, and is contrary to the fights of the feminist, gay and lesbian movements for sexual liberation and diversity. One anti-porn author opines that ‘erotica is rooted in eros, or passionate love, and thus in the idea of positive choice, free will, the yearning for a particular person, whereas in pornography the subject is not love at all, but domination and violence against women’. Statements like this one seem to imply an acceptance of old patriarchical stereotypes of the form ‘men are aggressive and polygamous by nature, while women are pas sive and monogamous’ and that women do not, cannot or should not enjoy sex in itself. Paradoxically, Dworkin’s (1990) synoptic treatment of the history of pornography exaggerates the passivity and helplessness of female victims and the violence of male domination to such an extent, that it unwittingly reinforces the very binary stereotypes that feminism has historically fought to uproot. Her presentation of women in pornography as ‘whores’, is at best patronizing, if not condescending and insulting towards female porn-workers, who often choose to follow that mode of subsistence. The choices of porn-workers deserve as much respect as those of women working in less stigmatized industries and, perhaps, even greater feminist solidarity.     Ã‚   Pro-censorship argumentation tends to revolve around two rhetorical devices. The first is the exaggeration of the amount and degree of violence contained in pornographic material, through the accumulation of undeniably disturbing images. The slide shows projected in WAVPM meetings and the material articulately described in Dworkin’s book have been handpicked for their shock-value and power to disturb. Drawn primarily from the underground cultures of Bizarre, Bestiality and SM, most of these images are largely unrepresentative of the mainstream market, which is both highly diversified and specialized. Specialization is a key-point because of the basic fact that different people have different ‘turn-ons’. Given that some people may find publicly disturbing, what others view as privately stimulating is no good reason to label porn in its entirety as intrinsically offensive. The second rhetorical device lies in the argument that pornography is not just a representatio n of imaginary violence but also a recorded reality or as put by MacKinnon, a ‘documentary of abuse’. Again this argument misleadingly conflates reality with representational fantasy. To claim that every woman -or man- that appears to be abused in a porn-movie is actually abused, is almost as naà ¯ve as claiming that every man shot-dead in, say, ‘the Terminator’, is actually dead. The anti-porn argument fails to take into consideration factors such as artifice, acting and role-playing. While genuine case of abuse are not absent from the porn industry, the vast majority of depictions of ‘violence’ occur in a role-playing context which carefully ensures the safety of the actors. My view is that understanding pornography requires a descriptive definition which, instead of passing judgments over the moral credentials and political consciousness of its participants, focuses on the realities of the porn industry. In this light, modern pornography, as we know it, is the graphic representation of sexually explicit material, mass-produced and mass-consumed with the purpose of sexual arousal. Although it is not ‘intrinsically evil’, this industry is morally no better than the society that produces it. The effect of sexually explicit material on its viewers and society at large is the second main component of the pornography debate. Anti-porn analysis has insisted on a theory of causality, whereby real rape, physical abuse and humiliation of women by men occur as a direct result of their exposure to the ‘hateful values’ of pornography. In Dworkin’s own words ‘at the heart of the female condition is pornography: it is the ideology that is the source of all the rest;’. By equating the representation of violence with injurious action, Dworkin evokes what neo-Aristotelian theorists of representation have termed as the ‘Mimesis-model’. Derived from the Greek word ‘mimesis’, meaning ‘imitation’ or ‘reproduction’, the model positions the real both before and after its representation. At a theoretical level the Mimesis-model can be sufficiently challenged by another Aristotelian concept, that of Catharsis. This would entail that far from reducing men to perpetrators of violence, exposure to the mock-violence of pornography -with all its artistic conventions and restrictions- would relieve them of the violent dispositions that lay ‘hidden’ in their psyche, in the same way that, say, a horror movie may give us pleasure without inciting violence and blood-thirst. The Catharsis-model fits particularly well to the very nature of pornography. Founded on a much-attested human desire for an occasional breach of taboo, porn tends to represent situations and feelings that may well be antisocial and very often remote from what the actual social practice is. Japan -a country with one of the lowest rape rates world-wide- sustains a huge pornographic industry that ‘specializes’ in violence and sexual domination. The anti-pornography perceptive fails to grasp this crucial distinction between social reality and harmless fantasy. In terms of empirical evidence, psychological experiments on the alleged correlation between exposure to porn and violent activity are, at best, inconclusive. Historical and cross-societal analysis is equally unpromising for the Mimesis-argument. Porn, in its modern sense, is a very recent creation. And yet, the exploitation of women by men had predated it by thousands of years. At the same time, political systems that adhered to the systematic suppression of pornographic representations, such as the Soviet Union or modern Islamic states, had not been less exploitative or violent. And yet, many anti-porn thinkers have insisted on censorship, despite the fact that this insistence has produced an awkward alliance with moral traditionalists from the Right. If passed, the 1984 Minneapolis ordinance would have reinvented ‘pornography’ as a criminal offence, distinct from ‘obscenity’. This would have allowed women to take civil action against anyone involved in the production, or distribution of pornography, on the grounds that they had been ‘harmed’ by its portrayal of women. In the passionate words of Andrea Dworkin (1990:224) ‘we will know that we are free when the pornography no longer exists. As long as it does exist, we must understand that we are the women in it: used by the same power, subject to the same valuation, as the vile whores who beg for more.’ If only, pornography was, indeed, the mother of all evil. Then sexism could be uprooted at one, simple, legislative stroke. But unfortunately, sexism, viole nce and exploitation are endemic to the economic structure of the modern society and pervasive of all our media. Pornography seems to have been singled out as a scapegoat for all forms of sexual prejudices in today’s world. The long-standing social stigma and visual honesty of the industry made it an easy target to right-wingers and left-wingers alike. Censorship has not worked in the past and there is no reason to believe that it will work in the future. I believe that the only viable solution to the pornography problem is the exact opposite of censorship, namely support for ‘the Politics of Representation. Women should try to ‘capture’ pornography, as producers, script-writers and directors, in a manner consistent with earlier feminist ventures into other male-dominated fields, such as literature, politics, media, religion, education and science. ‘Going legit’, would not only mean that society as a whole will take a less hypocritical stance to the realities of pornography   but also that regulation would guarantee better working conditions for female porn-workers (e.g. unionization, safe-sex, better security, health and cleanliness). Most importantly establishing a feminine perspective within the industry would counterbalance the male bias from which it now suffers. Following the example of ventu res such as ‘Femme Productions’ -launched by former porn-worker Candida Royalle and targeting a couple market- sexually explicit material written and produced by women can celebrate women’s right to pleasure without complying to sexism and exploitation. Pro-censorship feminists have been mistaken in defining pornography as problem. The explicit representation of sexual scenes is neither ‘intrinsically harmful’ nor a direct cause of violence. While men retain the reigns of an industry plagued with social stigma, porn will continue to be biased and exploitative. Yet, in the right hands, pornography can become an instrument for feminist action.   Ã‚  Ã‚   BIBLIOGRAPHY Barker, I. V. (2000): ‘Editing Pornography’, in D. Cornell [ed], Feminism and Pornography, Oxford Readings in Feminism, Oxford: Oxford University Press, pp 643- 652 Butler, J. (2000): ‘The Force of Fantasy: Feminism, Mapplethorpe, and Discursive Excess’, in D. Cornell [ed], Feminism and Pornography, Oxford Readings in Feminism, Oxford: Oxford University Press, pp 487-508 Carter, A. (2000): ‘Polemical Preface: Pornography in the Service of Women’, in D. Cornell [ed], Feminism and Pornography, Oxford Readings in Feminism, Oxford: Oxford University Press, pp 527-539 Cornell, D. (2000): ‘Pornography’s Temptation’, in D. Cornell [ed], Feminism and Pornography, Oxford Readings in Feminism, Oxford: Oxford University Press, pp 551-68 Dworkin, A. (1990): ‘Pornography: Men Possessing Women’, London: The Women’s Press Ltd C. A. MacKinnon (1988): ‘Pornography and Civil Rights: A New Day’, Minneapolis: Organizing Against Pornography Kilmer, M.F. (1997): ‘Painters and Pederasts: Ancient Art, Sexuality, and Social History’,in M. Golden and P. Toohey [eds] Inventing Ancient Culture: Historicism, Periodization, and the Ancient World, London, pp 36-49. MacKinnon, C. A. (1993): ‘Only Words’, in D. Cornell [ed], Feminism and Pornography, Oxford Readings in Feminism, Oxford: Oxford University Press, pp 94-120 Rodgerson, G. E. Wilson [ed] (1991): ‘Pornography and Feminism: the Case Against Censorship’, Feminists Against Censorship, London: Lawrence Wishart Royalle, C. (2000): ‘Porn in the USA’, in D. Cornell [ed], Feminism and Pornography, Oxford Readings in Feminism, Oxford: Oxford University Press, pp 540-550 Rubin, G. (1992): ‘Misguided, Dangerous and Wrong: an Analysis of Anti-pornography Politics’, in A. Assiter and A. Carol [ed], Bad Girls and Dirty Pictures: the Challenge to Reclaim Feminism, London: Pluto Press, pp 18-40 Russell, D. E. H. (2000): ‘Pornography and Rape: A Causal Model’, in D. Cornell [ed], Feminism and Pornography, Oxford Readings in Feminism, Oxford: Oxford University Press, pp 48-93 Sutton, R.F., Jr. (1992): ‘Pornography and Persuasion on Attic Pottery’, in A. Richlin [ed], Pornography and Representation in Greece and Rome, New York, pp 3-35.

Comparison of Anthem for Doomed Youth and An Irish Airman Foresees His

Comparison of Anthem for Doomed Youth and An Irish Airman Foresees His Death William Butler Yeats has written many pieces of literature, mainly about Ireland as that is his passion and cause of writing. However his poem â€Å"An Irish Airman Foresees His Death† is not solely about Ireland and even though it includes that theme it is rather a criticism of apathetic people who have no reason for going to war. The form of Yeats’ poem is very structured and regular. The rhyme scheme is ABAB the whole way through the poem and has an unstressed, stressed beat every time. The poem is made up of one sixteen-lined stanza and has a straight forward structure. Yeats has used this format for emphasis to get his point across. He has made the poem using paired lines which balance with one another neutralising any feeling that there may have been. Yeats has also made the layout of the poem very simple and uncomplicated to make Robert Gregory’s reason for going to war stand out which is also simple and uncomplicated-He just wants to fly a plane. Wilfred Owen’s poem was influenced by another war poet Siegfried Sassoon. Their conversations about the horrors of war together provided the framework to many of the poems that Owen wrote. As a soldier at war, Owen was affected by the traumatising horrors of the trenches that he saw while he was out there. He was so badly affected that he was diagnosed with shell shock and sent to hospital in Edinburgh. These horrific scenes caused Owen to write such gruesome yet realistic compositions. Like Yeats’ poem, â€Å"Anthem for doomed youth† is also a criticism only this time it is a criticism of how the young soldiers who die at war do not get the recognition or heroic funeral that they so... ... a more realistic tone. Like Yeats, Owen uses rhyme, rhythm and imagery only he makes his more varied, frequent and complexed. To do this, Owen has used an assortment of literary devices such as metaphors, similes, personification, onomatopoeia and alliteration. This helps Owen to elaborate his poem in more serious, gruesome detail which he often does, even in other literature and a good example of this would be another poem called â€Å"Dulce et docormest.† He has seen the horror and futility of war first hand and this is reflected through his use of emotive language. The two poems are diverse to one another as Owen uses numerous amounts of imagery and has a lack of structure which results in an abundance of emotion where as Yeats is the complete opposite and comprehends constant structure and image deficiency which consequently leads to a lack of emotion.

Nehemiah’s Upset and Relationship with Money

Anemia Is upset because In the midst of alluding the wall of Jerusalem and dealing with those outside of the people of God, he dealt with the morality of the people of God. Men could not feed their families. They mortgaged their property to get money to feed their families. They took loans to pay the taxes on the property. Some had to sell their children In to slavery. They were not able to get their children back because they could not pay the taxes on the property. All were descendants of Jacob, so they were forbidden by law to charge taxes to other Jews.The Jews were not following the law of how to treat fellow Jews. Instead of helping each other they were taking advantage of the people. They sought gain at the loss of others. Anemia became angry that the people were taking advantage of each other that he intercedes before God for each of them. He would pray to God passionately because he loved them so. Anemia was trying to teach the people that if they didn't handle their money w ith the right heart it will affect the will of God in their lives. We should all be givers to the will of God.Corinthians 16:1-4 states â€Å"now regarding your question about the money being collected for God's people in Jerusalem. You should follow the same procedure I gave to the churches in Galatia. 2 On the first day of each week; you should each put aside a portion of the money you have earned. Don't wait until I get there and then try to collect it all at once. 3 When I come, I will write letters of recommendation for the messengers you choose to deliver your gift to Jerusalem. 4 And if it seems appropriate for me to go along, they can travel with me. † .Corinthians 9:9 says As the Scriptures say, â€Å"They share freely and give generously to the poor. Their good deeds will be remembered forever. † Which Is private, regular, thoughtful, generous and freely given per the above scriptures. Our money problems per Anemia chapter 5 are based on how we glorify God, p utting our own needs first. The greed that we all have to profit off the problems of our brothers Is detestable. Amnesia's Upset and Relationship with Money By muzzle Why is Anemia so upset? Explain should Amnesia's example change the way we Vernon and begins to rebuild.The wall was built in 52 days with money and that did not want Jerusalem rebuilt. Anemia is upset because in the midst of building the wall of Jerusalem and dealing with those outside of the people of God, he dealt with the morality of the people of God. Men could not feed their families. Pay the taxes on the property. Some had to sell their children in to slavery. They were will be remembered forever. † Which is private, regular, thoughtful, generous and have to profit off the problems of our brothers is detestable.

Free Essays on Incidents In The Life Of A Slave Girl

â€Å"Incidents in the Life of a Slave Girl† is the story of a girl born into slavery who’s will and determination never waiver as she fights for her freedom and the freedom of her children. Harriet Jacobs’ story brings to life the reality of slavery; the cruelty, the sexual relationships between master and slave, the psychological abuse, the separation of slave families, the dangers of escape, and the kindness that can be found in the middle of it all. Harriet was fortunate to be born into a position in which she could live with her mother and father and in fact did not even know she was a slave until her mother died. At that time she was sent to live with her mother’s mistress. This was also a fortunate position as her mistress was kind and compassionate and vowed to care for her in thanks for the many loyal years of service her mother had provided. However, her luck would not last as her mistress died and left Harriet to her niece, a five year old girl. This is when Dr. Norcom, the father of her mistress, entered her life and changed it forever. At only 15 years old Dr. Norcom began pursuing and harassing Harriet sexually but her hatred for him and the moral upbringing provided by her grandmother made her continually refuse and evade him. Harriett met another white man who became her lover and had two children with him. Because of the laws of that time her two children immediately became the property of Dr. Norcom as she was. Their father tried to buy her and their children but Dr. Norcom refused. Because of this, Harriett feared for her children and seriously began planning an escape. She ran away and after being hidden a few places by friends of the family she finally was hidden in the tiny crawl space above her grandmother’s house. The space was barely large enough for her body and allowed only limited movement. The space had no insulation or ventilation and so provided unbearable conditions for Harriett... Free Essays on Incidents In The Life Of A Slave Girl Free Essays on Incidents In The Life Of A Slave Girl Harriet Jacobs’ memoir, Incidents in the Life of a Slave Girl, shows us the life of a female slave and the abuse she suffered at the hands of her master. This was very different than the abuse we have witnessed from the other slaves we’ve read about. This book was very moving, because it was the real life account of a woman who was sexually abused. It was revolting to read as well, because she made herself believe that the abuse she was suffering was OK, because that was how she served her master. Jacobs uses rhetoric very well to make the reader sickened and saddened at the same time. Jacobs uses rhetoric to gain sympathy for abused, enslaved females in the south by giving accounts of her life in slavery to northern white women. Other authors of books in this time who were slaves probably used rhetoric to target men for the most part. In this era, men were the ones who made a difference in the country. They fought in the wars and were the leaders in a family. Jacobs’s use of rhetoric to affect women in such a personal way as the sexual abuse of a woman must have, and still does, strike a chord in our hearts. It is upsetting to think that she made herself believe that it was her job to have sex with her master. I’m sure this was hard for northern white women to understand and her use of rhetoric is ideal to help them get angry at the slavery system. I am sure many women read this book and knew exactly how she felt and wanted to do something about the what slavery was doing to these women.... Free Essays on Incidents In The Life Of A Slave Girl Incidents Knowing that most Americans today will never truly know what slavery meant to those slaves who were held in captivation under it during the nation’s past, Harriet Jacobs still manages to paint a disturbing portrait in Incidents in the Life of a Slave Girl of how it changed her, effectively granting readers a better understanding of the institution. However, her narrative falls short in that she purely focuses on all the bad elements that had taken place in her life, thus reducing what genuinely seems to be an exemplary argument against slavery to - at times - no more than a plea for attention or an enticement for pity, despite her direct addresses to the contrary. Given, Jacobs was a slave, and she makes it expressly clear that it was not an enjoyable experience, but her work gives the impression that either she really had a terrible life, or she’s omitted nicer parts for the sake of shock value. Either way, her argument comes across, loud and clear. One of the more noticeable points of Jacobs’ writing is that she constantly addresses the reader, particularly people from the North and in several cases, women. This entreaty usually comes at the end of every other paragraph, and so the account is made to seem more like an address than a narrative. Dozens of phrases like â€Å"Oh, reader †¦Ã¢â‚¬  or â€Å"If you only knew †¦Ã¢â‚¬  are to be found in the text, and these almost make the story sound too melodramatic for it’s own good, if the goal of the author is to encourage the abolition of slavery. Where Jacobs fails to do much with her overly emphasized diction, however, she comes through with her accounts and stories about her and her life, which speak for themselves as ultimately championing freedom for all humanity. One particular section of the text is more disturbing than the rest though, not for depicting an incident of excessive cruelty, but because of it’s revelations about Jacobs. When the author writes â€Å"Ta... Free Essays on Incidents In The Life Of A Slave Girl Ashley Hand Slavery: The Moral Corruption of Family â€Å"Incidents in the Life of a Slave Girl† is a narrative that describes a young girl’s trials and tribulations while being an involuntary member of the institution of slavery. Jacobs, like every other victim of the atrocity known as slavery, wishes that people in the north would do more to put a stop to this harmful practice. Slavery is an understood dishonor of the past. This is true, not only because of the injustices done to the slaves, but for the negative effects that the slave holders and their wives underwent. When there are basic rights of freedom being denied in a society, no ethical principles can be upheld. The fact that this sinful treatment of other human beings was permitted had a morally crippling effect not only on the principle victim, the slave, but on the entire household in which the slave resided. Slavery corrupted the morals of everyone within its reach. First and foremost, we must recognize that the primary and most directly affected victim due to slavery, is of course, the slave. Ranging from lashings, emotional struggles, and even death, slaves have felt the truest and most severe form of slavery. They are not allowed to own property because â€Å"according to Southern laws, a slave, being property, can hold no property†(6). Harriet Jacobs describes many of her misfortunes and happenings while under the thumb and close watch of Dr. Flint. She was degraded and insulted many times throughout her stay with him. For example, Jacobs recalls â€Å"When he told me that I was made for his use, made to obey his command in every thing; that I was nothing but a slave, whose will must and should surrender to his, never before had my puny arm felt half so strong†(18). This was only the beginning however, and pretty soon thereafter sexual advances were made by Dr. Flint in which he â€Å"peopled my young mind with unclean image s, such as only a vile monster could ... Free Essays on Incidents In The Life Of A Slave Girl â€Å"Incidents in the Life of a Slave Girl† is the story of a girl born into slavery who’s will and determination never waiver as she fights for her freedom and the freedom of her children. Harriet Jacobs’ story brings to life the reality of slavery; the cruelty, the sexual relationships between master and slave, the psychological abuse, the separation of slave families, the dangers of escape, and the kindness that can be found in the middle of it all. Harriet was fortunate to be born into a position in which she could live with her mother and father and in fact did not even know she was a slave until her mother died. At that time she was sent to live with her mother’s mistress. This was also a fortunate position as her mistress was kind and compassionate and vowed to care for her in thanks for the many loyal years of service her mother had provided. However, her luck would not last as her mistress died and left Harriet to her niece, a five year old girl. This is when Dr. Norcom, the father of her mistress, entered her life and changed it forever. At only 15 years old Dr. Norcom began pursuing and harassing Harriet sexually but her hatred for him and the moral upbringing provided by her grandmother made her continually refuse and evade him. Harriett met another white man who became her lover and had two children with him. Because of the laws of that time her two children immediately became the property of Dr. Norcom as she was. Their father tried to buy her and their children but Dr. Norcom refused. Because of this, Harriett feared for her children and seriously began planning an escape. She ran away and after being hidden a few places by friends of the family she finally was hidden in the tiny crawl space above her grandmother’s house. The space was barely large enough for her body and allowed only limited movement. The space had no insulation or ventilation and so provided unbearable conditions for Harriett...